Monday, February 22, 2010

An open letter to my sister

Dear Corlia

It started with long winded emails that invariably described in unnecessarily loquacious detail the exceptional turn of a hair pin bend in a winding road in yet another far off place that I had gone to; another place to lay my hat in some vague attempt to find my home. You said, 'Write this stuff online.' So I did. And so, sometimes when I am somewhere between here and there, I write down small bits and pieces of my fragmented days; the funnier things, the things that don't tell too much about the long and lonely hours and the gaps in time and the large cold question mark that follows me to bed, sleeps with me like a lover, its cold bones pressing along my spine. I am the small spoon to my own self doubt.
You said, write it online. So I did. As if I were telling you the story. Just like all those emails I'd written you. But it's not quite the same. My computer is a battered piece of weathered goods and if it weren't for my withering detest for the carrying of stuff, I'd get my typewriter out of storage and work on that instead. There is also the small issue of being unable to source ribbon for the antique. The last time I wrote on it my prose was blind embossed into the page. I prefer letters, real ones, written on paper, sealed with wax. They are tangible. Handwritten letters, like typewritten prose, exist in a way these words on these screens do not. If it exists on paper, I treat it differently. I am a fastidious writer. But I don't consider this real writing, this internet thing. I leave spelling mistakes as is. Grammatical errors. Missing words stay lost, clumsy sentences continue to clunk along, tripping over their heavy feet. I'd prefer the paper mail and wax seals, but in truth I am not a particularly dedicated letter writer. I begin with the best of intentions, but after several courses of correspondence, I find my dedication flags, and the one week response rate slows to two then three then a sluggish four and soon the letter and the blank paper and the unaddressed envelopes and my very intent is buried under a pile of debris on my desk.

So it seems that no means of correspondence suits me quite completely, but we continue in whatever form of it we can lay our hands on. These are the breaks when you live across oceans from your family. On a Monday, I'll send you an email. You'll catch me on skype for four minutes three days later. Sometime before the weekend, I'd get a facebook message from you. I'll respond in a text message. So many words that don't exist. No typewritten letters, the x always a little low on the line, on ivory coloured linen paper. No wax seals or personalised stationary or calling cards.

In some ways though, these words that don't exist do have their benefits. The ability to instantly connect. The way that when I'm walking down the street in some dilapidated European city and see a foreign language magazine in a newsagent with a brooding australian actor looking painfully serious on the cover I can pull out my phone and send you a quick message and within a few minutes you'll be agreeing with me that the beast does indeed belong on the list of those whom get their dark shipped all the way in. And so it will be, momentarily at least, that I don't feel we are quite so far apart as we really are. And then there is the way that I can write a letter like this one, and put it up here, in the space where words don't really exist.

This is the way it is for us. Everyday I make a choice, and that choice leaves me with phones and wires and cables and screens and shitty wifi connection. And that's the way it is. Those are the breaks. But I wonder if one day I'll be able to write small notes, in quink, on thick linen folded cards, my initials embossed subtly in the corner and drop them through your front door when I am passing through the neighbourhood and find you're not home. Or send you handwritten invitations to dinner, or thank you cards. I wonder if we'd live close enough that these words that don't exist ceased to be, and instead it would be my looped handwriting in a day planner and a glass of wine and something tangible, and I'd say, "Let me tell you about this thing I saw today...."

And I don't know if that's how it will ever be... But I hope so.

xx

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